Post by account_disabled on Feb 22, 2024 5:49:18 GMT -5
One afternoon in 1652, in Madrid's Corral de Comedias de la Cruz, a play was performed called The Greatest Monster in the World , written by the well-known playwright Pedro Calderón de la Barca. The plot was based on a deformed and monstrous man, due to a spell, who was worshiped by people due to his artistic abilities. In it, themes such as vanity, falsehood and greed were explored, to reflect on human nature. While the actors were performing, suddenly, two groups of spectators who were sitting in opposite boxes began to discuss the qualities of the play . The atmosphere became heated and objects began to be thrown , including oranges, lemons and other blunt objects. Not happy with that, some of them even jumped on stage to attack the actors.
This situation is not very different from those that in Job Seekers Phone Numbers List modern times have been seen in sporting or other events in the media. And it shows us the importance that these corrals reached throughout the geography of our country for the population, who needed entertainment and shows .
In them, some of the great figures of universal literature who gave rise to the Golden Age came to represent their works, such as Lope de Vega, Tirso de Molina and Calderón de la Barca. The shows attracted a varied audience, from nobles to merchants and peasants, and the plays were often very entertaining and full of humor . On some occasions, puppet shows and acrobatics were also performed.
The corrales de comedias were popular theaters in Spain during the 16th and 17th centuries. In reality, and despite the importance they reached, the comedy corrals were very simple and functional constructions, with a single floor and a circular or rectangular layout, in which the stage was located at one end and the stands in the rest of the space. As it was a very popular activity, this simplicity in design made it possible to accommodate large numbers of spectators .
Most of these theaters were made of wood, although some larger corrals may have a stone structure. The entrance was through a central patio, which was called "patio de seats" or "patio de comedias". In the center was the patio, where, sloping towards one of the backgrounds, there was an elevated "stage box", where the stage was located. The stage had a simple structure, with a single stage mouth, no backdrop and minimal decoration that was usually covered by an awning to protect the actors from the sun or rain.
It is true that all types of people attended the comedy corrals, regardless of their wealth, economic power or social position. Spectators were placed on stands, which were wooden structures located at the back of the stage space, or sometimes sitting on chairs or benches. But in a society still marked by class division, it was essential to mark the differences. For this reason, the division of the stands into two levels in the comedy corrals had a very marked social and economic meaning.
In the lower grade were the wealthiest spectators, such as nobles, clerics and rich merchants, who could pay more for good visibility of the stage and to be close to the actors. On the other hand, in the upper grade were the less wealthy public , such as artisans, peasants and workers.
This situation is not very different from those that in Job Seekers Phone Numbers List modern times have been seen in sporting or other events in the media. And it shows us the importance that these corrals reached throughout the geography of our country for the population, who needed entertainment and shows .
In them, some of the great figures of universal literature who gave rise to the Golden Age came to represent their works, such as Lope de Vega, Tirso de Molina and Calderón de la Barca. The shows attracted a varied audience, from nobles to merchants and peasants, and the plays were often very entertaining and full of humor . On some occasions, puppet shows and acrobatics were also performed.
The corrales de comedias were popular theaters in Spain during the 16th and 17th centuries. In reality, and despite the importance they reached, the comedy corrals were very simple and functional constructions, with a single floor and a circular or rectangular layout, in which the stage was located at one end and the stands in the rest of the space. As it was a very popular activity, this simplicity in design made it possible to accommodate large numbers of spectators .
Most of these theaters were made of wood, although some larger corrals may have a stone structure. The entrance was through a central patio, which was called "patio de seats" or "patio de comedias". In the center was the patio, where, sloping towards one of the backgrounds, there was an elevated "stage box", where the stage was located. The stage had a simple structure, with a single stage mouth, no backdrop and minimal decoration that was usually covered by an awning to protect the actors from the sun or rain.
It is true that all types of people attended the comedy corrals, regardless of their wealth, economic power or social position. Spectators were placed on stands, which were wooden structures located at the back of the stage space, or sometimes sitting on chairs or benches. But in a society still marked by class division, it was essential to mark the differences. For this reason, the division of the stands into two levels in the comedy corrals had a very marked social and economic meaning.
In the lower grade were the wealthiest spectators, such as nobles, clerics and rich merchants, who could pay more for good visibility of the stage and to be close to the actors. On the other hand, in the upper grade were the less wealthy public , such as artisans, peasants and workers.